Amisk (ᐊᒥᐢᐠ), meaning “beaver” in Cree, is a three-dimensional sculpture of a beaver, inspired by the moment it breaches the water's surface. The work will be presented in the atrium of Allard Hall, accompanied by blueprints displayed on an easel and a guestbook on a nearby plinth inviting feedback, opinions, and suggestions.

This project honours my Beaver Cree lineage and my relationship to amiskwacîwâskahikan (ᐊᒥᐢᑲᐧᒋᐋᐧᐢᑲᐦᐃᑲᐣ), meaning “Beaver Hills House,” which guides the work's conceptual and cultural foundation.

The project draws on creation-based research focused on structural integrity, safety, and longevity, with particular attention to use in high-traffic public environments. Research into the physiological and psychological benefits of engaging with public art, as well as the historical role of playgrounds and interactive spaces, has shaped the design. The design also considers the growing need for accessible, welcoming resting areas in urban and institutional settings. These insights have directly informed material selection, construction methods, and overall design decisions.

This project grew out of collaboration and mentorship. I have worked with a long-time friend who introduced me to rug tufting techniques using monk cloth. I have also collaborated with Darcy Turlock, Shop Technician and Theatre Production professor, to refine construction plans and ensure structural durability. Cultural guidance has been provided by Elder Tom Snow of kihew waciston, and Associate Dean Dr. Eva Revitt has supported the project’s placement.

Clinton Minault, Amisk (ᐊᒥᐢᐠ), 2026, Acrylic Yarn on extruded polystyrene, 30”x 168”